“I find that
intriguing. I enjoy it when I’m given by the creator of a show or a movie all
the elements that will keep me interested in the story, but leave a few aside
so I can do a little of the work myself. I enjoyed that kind of storytelling
and I want to tell those kind[s] of stories myself.” - Vince Gilligan
Over the last 4 years ‘Breaking Bad’ has definitively shown
itself to be the best show on TV. In its
first two seasons the show went toe-to-toe with ‘Mad Men’ and while it came up
short in my estimation it was definitely getting there. Then came season 3 and it was solidified that
‘Breaking Bad’ was the best show out there.
What amazed me was that no matter what you thought you had
figured out, no matter how you thought you had the show pegged; it was always
able to go in a different direction.
Walt being in a small way responsible for Jesse’s girlfriend’s death,
her dad being the cause of the mid-air airplane crash, the handling of the Gail
situation, what happened to Jesse when Mike took him out into the desert, all
of this was proof that this show was smarter than the rest of us.
The best part about serialized TV shows is cooking (no pun
intended) up your theories on what will happen with the storyline. Trying to figure out what will happen each
week with ‘Breaking Bad’ was part of the most fun of the show because rarely
was anybody right. I have seen ever
episode of shows like ‘The Sopranos,’ ‘Mad Men,’ ‘Friday Night Lights,’ to name
a few and each one of those were predictable.
Those shows didn’t thrive on unpredictability; they thrived on how their
characters dealt with the events that transpired in their lives.
While this is definitely part of the success of ‘Breaking
Bad,’ the other part of it is the unpredictability. Until the last two episodes of season 4, this
show had maintained the level it had through the first 3 seasons. What transpired in the final two hours of
programming went against what had made this show successful.
***WARNING SPOILERS AHEAD***
When Walt decides he wants to kill Gus, it’s a completely
reasonable reaction given his situation.
Once the situation presents itself in which he can find a way to turn
Jesse against Gus Walt takes it and runs.
Constructing an old school car bomb and finding a way to lure Gus out
into the open doesn’t quite seem like Walt’s style. Walt has never been a man who can use brute
force to make his point or bend others to his will, and it wasn’t until he
discovered that his ability to cook meth gave him the power that his physical
limitations never allowed him to have.
When trying to assassinate Tuco in season 2 Walt concocted
the idea of Riecen poisoning that would slowly kill the man over a period of
time. When he found he couldn’t get
close enough to Gus to kill him he tried to use the same method and to get
Jesse to help him with it. When he has
confronted Jesse to physical confrontation he has lost and wound up a beaten
man. In the cat-and-mouse game that was
season 4, if Walt was going to win, it wasn’t going to be by brute force.
Gustavo showed early on in the season that he had the brute
force and mentality that Walter lacked and he could get to anyone and destroy
anyone (sorry Victor). It seemed as
though Gus displayed this early and often this season to prove to Walt that
Walt was inferior. What Gus didn’t want
Walt to realize is that he knew he wasn’t inferior and that Walt always had and
always will have the upper had as the creator of the infamous ‘blue meth.’
That is the key that allowed the creators of this show to
remain unpredictable. Lesser writing
would have Walt going full charge at Gus and trying to kill him, hiding out at
his house and trying to gun him down, trying to get Jesse to gun him down,
etc. And while he seemingly tried to gun
Gus down, Gus was too smart to put himself in that situation. This is where Walt had to realize that he had
to come up with another way.
After convincing Jesse that Gus was the one who poisoned his
girlfriend’s child, he had the ‘in’ he needed to galvanize forces against
Gus. We saw Walt creating a trigger
mechanism that was obviously for a bomb, it was still slightly intriguing because
we didn’t know how Walt was going to make this scenario work. He and Jesse apparently concocted a plan to
get Gus down to the hospital where Walt could place a bomb under Gus’ car.
Somebody who has so many people out to get him in his life,
you would think Gus would leave somebody at the car to make sure such a thing
would never happen, but he didn’t. Then
he all of the sudden suspects that Walt could have made this happen to try and
do exactly what Walt was trying to do.
While I understand this is to show the interplay between the two
characters, how they continually outsmart each other, it just doesn’t fit.
After that plan doesn’t work, Walt has to go to work to find
a way to make this plan work. He
ultimately finds a way to get Gus to go to a nursing home and use the bomb to
kill him there. The idea that he can
force Gus’ hand and predict his movements may give credence to the thought that
Walt had the upper hand during the entire season. While I could buy that, again, it doesn’t fit.
We all knew somebody was going to die and the initial
thought was Gus. Between Gus, Jesse, and
Walter it had to be one of them this season and Gus was the easiest because he
wasn’t a main character. That’s what you
would expect from a normal show, but ‘Breaking Bad’ is not a normal show. ‘Breaking Bad’ has transcended all that normal
TV show fodder and been something more as it has shown that the creators have had
a plan all along and it didn’t matter what the public wanted and what they
thought, they were going through with their plan.
Shows like ‘The Soprano’s’ chickened out of doing anything
drastic in the same manner until the last episode of the show. ‘Breaking Bad’ had established itself as
above that and something crazy could have happened that would have us all
asking where this show is going to go and what they were going to do. Could you kill Walt and make this show
something special still? Maybe it wouldn’t
go over well, but they wrote out their main character for a season in ‘The Wire’
so it’s no unprecedented.
In an article that came out today via The AV Club Vince Gilligan was quoted as saying the
following about predictability in TV shows:
“When in doubt, do what the audience does not expect.” It is my
contention that he did not follow through with that axiom for the first time in
his 4 years of putting one of the best shows on television. Instead of shocking people with doing what we
didn’t see coming, they went ahead and did the obvious and then tried to bring
up the shock factor by showing a gruesome scene that I was not aware would be
allowed on television.
This is sub-par by ‘Breaking Bad’ standards and it made me
come away from Season 4 satisfied but slightly disappointed. The season was really great and the interplay
between the two driving forces of the show Gus and Walt was fantastic, but with
such great characters and so much buildup, they just didn’t come through as I
had come to expect from this show.
With 16 episodes remaining in the series there is obviously
a clear end game that the show is working towards. The writers seem to have a clear picture and
that made me feel comfortable knowing the confidence the creators had behind
their vision. I am slightly less
comfortable now. In my estimation Walt
has to die in this series and I feel that Jesse will be driven to kill him. Jess and Walt have operated as a sort of yin
and yang in which one balances out the other.
Walt started as the good man doing well for his family and Jesse was the
junkie feeding off others in his life.
They have switched roles as Walt is using everyone in his life to his
advantage, but Jesse is the man who has seen the dark side of his world and wants
to come back but is trapped.
That is my prediction, Jesse cannot be released from his
world until Walt dies and Jesse will have to pull the trigger, metaphorically
and possibly physically (let’s also not forget that Jesse can find out that
Walt basically killed his girlfriend and almost killed his new girlfriends
son). This is my thought for how the
next 16 episodes ultimately play out and I hope, hope, hope that I am wrong. I hope that the show once again takes me somewhere I didn't think it was going.
"Breaking Bad," one of my all-time favorite shows, felt different somehow in Season Four. From the very start, it felt padded. Unlike the first three seasons, it digressed wildly into boring subplots about buying a car-wash, or endless (and vapid) episodes that centered around Skyler (that were evocative of the yawn-inducing "Lisa" episodes of "The Simpsons".) And what about their pointless new baby: the amazing low-maintenance infant that disappears for whole episodes at a time? Digression upon digression upon digression. And while they're going wildly off-plot with these story arc-killing sidebars, they're neglecting wonderful and magnetic characters like Saul. Or abandoning early story-lines about Walt's early partnership in an up-and-coming science lab. Or his long-lost flame.
ReplyDeleteAll of these much-stronger internal dramas, complexities and characters are abandoned for weird, boring filler episodes where even the main characters got shorted. (For instance, Jesse suddenly became a one-dimensional and psychologically-inconsistent character. In the pilot, it was established twice that he was into older women and liked "milfs". This dovetailed nicely in later episodes when you saw the loss of his family and the unresolved Oedipal issues with his mother. But suddenly by Season Four, all traces of the earlier Jesse are gone [love of milfs and all]. He just becomes this one-reel parody of a stoner who listens to loud music and say "Bitch" every third sentence. He exists in a vacuum: no family, no internal issues, no back-story. Zilch.)
Walt, too, seemed to have suddenly lost his past [see: earlier career and tension with former chemistry partner, former love interest, etc.]. And in losing his past, his character lost its moorings.
. . . . No, as a fan, I sense that something terrible happened in the hiatus between Season Three and Season Four. Like the producer Vince Gilligan absented himself and placed the writers on auto-pilot (much like producer Alan Ball did with his show "Six Feet Under," right before it tanked). Either that, or he was asked to consider stretching out the story . . . to pad it in the event that they could squeeze another season or two out of it. Ad revenue is ad revenue. And if they can keep it on the air longer than originally intended, well---
What's a producer to do?